When she's not shooting for brands such as Celine, Marc Jacobs or Alexander McQueen, Kaia Gerber loves nothing more than kicking back at her LA home. The 21-year-old model has debuted a number of serene home snaps via social media across the years, but on Wednesday, she virtually welcomed fans into her spacious living room area.
Addressing her followers about pet care, Kaia filmed herself in a low-lit living room complete with pristine white sofas, ethereal cream curtains, framed monochrome artworks, an on-trend checkerboard cushion, a charcoal-toned throw, dark walls and a flatscreen TV.
The runway star looked relaxed as she spoke, sporting a bottle green sweatshirt and wearing her caramel-tinted locks down loose. She embraced her rescue dog Milo for the clip, who mirrored his owner's ultra-zen vibes.
Kaia shares the beautiful space with her parents Cindy Crawford and Rande Gerber, plus her brother Presley.
One of many additions to their expansive property portfolio, the stunning Californian home was bought by the Crawford-Gerber clan after they sold their former Malibu home for $45 million in 2018.
The picturesque cliffside property was featured in Cindy's '73 Questions' interview for Vogue, which allowed fans to take a thorough tour around the building. It featured an open-plan kitchen boasting shades of cream and navy blue, a large patio overlooking the Pacific Ocean with a swimming pool situated one level below and Cindy's private office, complete with two fireplaces and huge bay windows.
Kaia's home previous comes after the star was thrust into the limelight regarding the debate about 'nepo babies.' In a recent interview with Elle, Kaia opened up about the opportunities she has been afforded in the industry, weighing in on the 'nepo baby' conversation.
"I won't deny the privilege that I have," Kaia explained. "My mom always joked, 'If I could call and book a Chanel campaign, it would be for me and not you.' But I also have met amazing people through my mom whom I now get to work with."
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She then addressed the prevalence of nepotism within acting, suggesting that it is less of a powerful force than people make out because "no artist is going to sacrifice their vision for someone's kid".
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